Fidempa biography definition
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Music of Uganda
The music of Uganda is broad and diverse, ranging from traditional indigenous music to Ugandan versions of many contemporary genres. Uganda is home to over 65 different ethnic groups and tribes,[1] and they form the basis of all indigenous music.[2]
The first form of popular music to arise out of traditional music was the Kadongo Kamu style of music, which arose out of traditional Kiganda music. From the 80s till early 90s, Kadongo Kamu was influenced by musicians such as Peterson Mutebi, Dan Mugula, Sebadduka Toffa, Fred Ssonko, Livingstone Kasozi, Fred Masagazi, Baligidde, Abuman Mukungu, Gerald Mukasa, Sauda Nakakaawa, Matia Luyima, Herman Basudde, and Paulo Kafeero[3] music genres drew from Kadongo Kamu, making it the most influential style of music in Uganda. In the late 80s, the late Philly Lutaaya released his "Born In Africa' album that would later dominate the air waves. Lutaaya also released his "Merry Christmas" that con
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Textual Cultures of Medieval Italy ,
Table of contents : • La música de Uganda es la música típica de los pueblos y etnias de Uganda. El país ocupa el tercer puesto en África en lo que respecta a la música y el entretenimiento. Cohabitan más de 65 grupos étnicos y tribus diferentes,[1]&#; y forman la base de toda la música indígena ugandesa.[2]&#; La Baganda –reino de los 52 clanes del pueblo Baganda–, ha definido lo que constituye la cultura y la música de Uganda en los últimos dos siglos, siendo el origen de la música más importante del país. La primera forma de música popular, que surgió de la música tradicional, fue el estilo de música Kadongo Kamu, cuyo origen son los sonidos tradicionales de Kiganda. Desde los años 80 hasta principios de los años 90, el estilo Kadongo Kamu estuvo influenciado por músicos como Peterson Mutebi, Dan Mugula, Sebadduka Toffa, Fred Ssonko, Livingstone Kasozi, Fred Masagazi, Baligidde, Abuman Mukungu, Gerald Mukasa, Sauda Nakakaawa, Matia Luyima o Herman Basudde, Los géner
Cover
Contents
Notes on Contributors
Acknowledgments
Figures and Tables
Introduction
1 The Study of Medieval Italian Textual Cultures
PART ONE: FORMS OF TEXTUAL EXCHANGE
2 Rhetoric and Reform during the Eleventh and Twelfth Centuries
3 Adventures in Textuality: Lyric Poetry, the Tenzone, and Cino da Pistoia
PART TWO: MATERIALS OF TEXTUAL COMMUNICATION
4 Public Textual Cultures: A Case Study in Southern Italy
5 The Textualization of Early Italian Cantari
PART THREE: ADMINISTRATIVE TEXTUAL CULTURES
6 Paulinus of Aquileia’s Sponsio episcoporum: Written Oaths and Ecclesiastical Discipline in Carolingian Italy
7 Writing the Vernacular at the Merchant Court of Florence
PART FOUR: COLLABORATIVE TEXTUAL CULTURES
8 The Death of Angela of Foligno and the Genesis of the Liber Angelae
9 Editing Legal Texts from the Late mittpunkt Ages
Index of Manuscripts
A
B
C
D
E
F
G
L
M
P
R
S
T
V
W
Index of Names and Subjects
Música de Uganda