Robh ruppel biography channel
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Robh Ruppel
Moby ID: 264274
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Robh has designed for bio, television and print. He attended Art Center College of Design and has worked for a varied clientele including Walt Disney Animation Studios, TV Guide, Boss Films, Naughty Dog and TSR.
“I love inventing worlds and the things in them. The thrill of seeing appear before you fryst vatten pretty hard to match. In inventing things that don’t exist you’re part architect, part painter and part camerman. It never gets boring.”
While at Disney Robh art directed Brother Bear and Meet the Robinsons. He’s currently working on conceptualizing a next-gen game at Naughty Dog Studios in Santa Monica, California.
Credited on 13 games
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Uncharted 4: A Thief's End(2016, PlayStation 4) | Art Directors |
Magic Duels(2015, Xbox One) | Additional Illustrations |
The Last of Us: Remastered(2014, PlayStation 4) | Special Thanks to the Kennel |
The Last of Us: • On Twitter, production designer Robh Ruppel shared some thoughts on how to make an image cinematic. It's an interesting question. It's something I often wonder about when watching series. To me most TV shows, as well produced as they are these days, still lack something that films have. (Mini-series less so) Below is a transcript of his (short) twitter thread and the film stills he shared to illustrate his point: What constitutes “Cinematic”? Is it wide screen, depth of field, anamorphic? All of these, none of these? Here are examples of cinematic images through film history that illustrate these ideas yet all are cinematic without dogmatically relying on a singular technical aspect. Each varies in technical approach, some are black and white, some are wide screen, some have great depth of field, others hardly any. It is however those technical aspects that set it apart, that make it different from fashion photography or a photo journalism but the art of cin • Customers praise the book for its wonderful illustrations and beautiful work. They find the images accompanied by the author's thought process on how he approaches art and his paintings. The book is laid out simply and concisely, but explains things in a way that gives more insight. Readers appreciate the step-by-step explanations and clear, simple shapes and design. The artist's biography is also appreciated, as it helps them improve as artists. AI-generated from the text of customer reviews 14 customers mention "Visual style"14 positive0 negative Customers find the book's visual style appealing. They appreciate the wonderful illustrations and beautiful work. The images are accompanied by the author's thought process on how he approaches art and his paintings. The book is considered one of the most influential art and design manuals for years to come. It provides clear instructions on how to graphically break down shapes, perspective, and tone. |