Shahnaz begum singer biography examples
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Shahnaz Husain
Indian businesswoman (born 1944)
Shahnaz Husain (born 5 November 1944) fryst vatten an Indian businesswoman and the founder, chairperson and managing director of, The Shahnaz Husain Group. She has received international acclaim for pioneering the Herbal beauty care movement and taking the Indian herbal heritage of Ayurveda worldwide.[1][2] In 2006, she was awarded the Padma Shri, the fourth highest civilian award, bygd the Government of India for her contribution to the fields of trade and industry.[3]
Husain was invited by Harvard Business School to speak on her success story of establishing an international brand without commercial advertising and has also become a Harvard Case Study which fryst vatten included in its curriculum.[4][5] She has also lectured to students at Massachusetts Institute of Technology (MIT), University of Oxford and London School of Economics.[6] Shahnaz has also represented India at President dryckesställe
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KARACHI: Eminent singer Shahnaz Rahmatullah — known to most Pakistanis as Shahnaz Begum, who was loved for her flawless rendition of “Jeevay, Jeevay Pakistan” — died of cardiac arrest early on Sunday morning at the age of 67.
According to Bangladeshi media, she was laid to rest at Dhaka’s Banani graveyard after Zuhr prayers.
Her funeral prayers were offered at Park Mosque in the Bangladeshi capital, her husband retired Major Abul Bashar Rahmatullah was quoted as saying by The Daily Star.
Lyricist Kabir Bokul told the newspaper the well-known singer suffered a “major cardiac arrest” and passed away at her residence in the city.
She is survived by her husband, a son and a daughter. Shahnaz Begum emerged as a notable singer in Dhaka during the mid-1960s, according to The Independent. She was born on Jan 2, 1952, in that city.
In the late 1960s and early 70s, she sang the memorable national song, Sohni Dharti Allah Rakhey, in addition to Jeevay Pakistan.
After the creation
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At first sight, one wonders why there is a gendered view in the title of Siren Song: Understanding Pakistan Through its Women Singers. But the author, Lahore-born, United States-based Fawzia Aslam-Khan, explains that what motivated her to think about writing (or filming, initially) the gender-related view of vocal music, was the killing of some women vocalists by extremist groups or individuals, including some singers’ own “Taliban-minded” male family members.
Afzal-Khan is herself into singing, having learned classical music from Ustad Abdul Haq Qureshi. The book under review was initially planned as a documentary when the author received a grant from the National Endowment for the Humanities in the US, as part of its ‘Building Bridges Through Film’ initiative, and Afzal-Khan gets not one or two, not five, but as many as 12 people to applaud the publication and its raison d’être in the introductory section, titled ‘Advance Praise for the Book’.
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