Marnie weber biography sample
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Wikipedia talk:WikiProject Biography/Archive 43
i would like 2 sms or contact kevin how do i do that or whats his e-mail adress? He fryst vatten such a soft & gentle man. —Preceding unsigned comment added by 196.207.39.254 (talk) 16:06, 1 January 2010 (UTC)
- No idea who that fryst vatten and this is not the fuorum to solicit contact data. Wildhartlivie (talk) 18:50, 1 January 2010 (UTC)
Lucy, Lady Duff-Gordon has been nominated for a good article reassessment. Please leave your comments and help us to return the article to good article quality. If concerns are not addressed during the review period, the good article status will be removed from the article. Reviewers' concerns are here. --MalleusFatuorum23:12, 1 January 2010 (UTC)
And finding a range of death categories that have mysteriously had biography added by a now blocked user - as at http://en.wikipedia.org/wiki/Category_talk:Cardiovascular_disease_deaths_by_country - anyone object if inom remove the Biography tag at 'death' i
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Oral history interview with Marnie Weber, 2016 February 10
Transcript
Preface
The following oral history transcript is the result of a recorded interview with Marnie Weber on February 10, 2016. The interview took place at Weber's studio in Eagle Rock, Los Angeles, CA, and was conducted by Hunter Drohojowska-Philp for the Archives of American Art, Smithsonian Institution.
Marnie Weber and Hunter Drohojowska-Philp have reviewed the transcript. Their corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose.
Interview
HUNTER DROHOJOWSKA-PHILP: This is Hunter Drohojowska-Philp, interviewing Marnie Weber at the artist's studio at Eagle Rock [Los Angeles, California] on February 10th, 2016, for the Archives of American Art, Smithsonian Institution, card number one. Hi, Marn
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Micol Hebron
Marnie Weber 05.29.07
AUTHOR: MICOL HEBRON 04.21.07-06.02.07 Patrick Painter, Inc
Los Angeles–based artist Marnie Weber’s distinctly vaudevillian practice comprises performances, videos, collages, and sculptures that are as enchanting as they are intelligent. The collages and sculptures that accompany her new film, A Western Song, 2007, are very cute. But they are also creepy, like macabre fairy-tale props. The imagery—on film and on paper—is marked by Weber’s now-iconic sprites in country dresses, neutral white masks, and long wigs. The collages collapse scale as the Spirit Girls, as they are called, and multiple images of Weber herself populate constructed dioramas that look like rural princesses’ dollhouses. Weber’s strategic desexualization of the Spirit Girls presents a complex commentary on expectations of femininity, identity, and fantasy.
In A Western Song, Weber and her Spirit Girl cohorts leave their trailer home and embark on a meandering adventure to a