Antipenko grigory biography of william
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Pedro Delgado-Guillena, Raúl Velamazan-Sandalinas, Javier Jiménez Sánchez, Esteban Fuentes-Valenzuela, Natalia García-Morales, Miriam Cuatrecasas, Mireya Jimeno, Leticia Moreira, Eduardo Albéniz. History and clinical guidelines for chronic atrophic gastritis and the assessment of gastric cancer risk. Gastroenterología y Hepatología (English Edition) 2023; 46(9): 727 doi: 10.1016/j.gastre.2023.09.001
E.M. Shul'gina, Zh.G. Simonova. CLINICAL AND MORPHOLOGICAL CHARACTERISTICS OF H. PYLORI-ASSOCIATED GASTRODUODENAL ZONE DISEASES: AGE-RELATED ASPECTS. Ulyanovsk Medico-biological Journal 2021; : 89 doi: 10.34014/2227-1848-2021-4-89-99
Sabine Skrebinska, Francis Megraud, Ilva Daugule, Daiga Santare, Sergejs Isajevs, Inta Liepniece-Karele, Inga Bogdanova, Dace Rudzite, Reinis Vangravs, Ilze Kikuste, Aigars Vanags, Ivars Tolmanis, Selga Savcenko, Chloé Alix, Rolando Herrero, Jin Young Park, Marcis L
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The premiere held onNovember 9, 2013
Five years ago director and choreographer Angelica Cholina came up with an idea of a new production of “Coast of Women”, unusual in its shape, attractive in the aesthetics of a non-verbal theatre. Successfully received by the audience, the experiment was followed by the production of “Anna Karenina” after Leo Tolstoy’s novel, where the plastic solution organically conveys the harmony of word and sense, while its exquisite choreography fills the action with a special artistic affluence.
“Othello” by William Shakespeare is the third experience of joint work of the choreographer and the theatre.
For implementing of her conception, Angelica Cholina chooses the works that have become a benchmark in literature and drama, filled with tragic collisions, peculiar characters, sharp storyline, plot, where opposing heroes require not only perfect plastic implementation, but also great energy power of spiritu
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Select Bibliography
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L. P. BERIA
Beria, L. P., “Lavrenty Beria: Pizma iz tyuemnogo bunkera,” Is