Antonio poli tenor biography of michael
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Paradise in music: a glorious Verdi Requiem under Michele Mariotti in Dublin
The thundering Dies irae of Verdi's Requiem has been used incongruously in Dublin as the soundtrack for a video touting a haunted-house bus tour of the city. This misappropriation can perhaps be forgiven following the staging of not one but two performances of Verdi's transformative work in Dublin within two months. I missed the first occasion in April, but the performance by the RTÉ National Symphony Orchestra and the RTÉ Philharmonic Choir under the baton of Italian maestro Michele Mariotti at the National Concert Hall was a splendid affair. Not only were the orchestra and chorus in peak form, but it was apparent that someone had gone to a lot of trouble to assemble a sterling foursome of soloists. American soprano Angela Meade was joined by mezzo-soprano Enkelejda Shkosa, a regular on European opera stages. Italian tenor Antonio Poli and Russian bass Evgeny Stavinsky made up the male r
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Wikipedia:WikiProject Opera/Tenors
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CD 1 (75:55)
At about the time that Leopoldo Signoretti made his Zonofono records, the critic Amilcare Lauria dedicated an article to him—“Canto Moderno—Economia e Resistenza” [Modern Singers - Economy and Endurance]—in Le Cronache Musicali Illustrate, Year 1 No. 18, Rome, 20 June 1900:
“One of the last among the survivors of the glorious Italian school of singing, who, the other evening at the Teatro Costanzi, triumphed over his young colleagues, most of whom had weak, tremulous, unsupported voices lacking in everything, especially intelligence … in the opening movement of the dangerous Finale to Act One, Leopoldo Signoretti, though no längre young, proved himself such a great artist that every evening he had to encore O figlia mia diletta. And now, reflecting on all the accomplishment revealed by the Signoretti of today in L’ebrea, you will understand what inom mean bygd miracles of endurance based on economy of röst, which no one possesses and applies as he does! ... After co